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Friday, 5 June 2009
• Read the downthetubes review of last year's conference.
• Talking of competitions, Garen reports Sarah McIntyre decided to celebrate his "40th of June" birthday celebrations (along with the likes of Jason Cobley, Gosh! Comics, Forbidden Planet, Paul Harrison-Davies and many others by holding her own competition - you have to draw a suitably extravagant moustache on this terrific portrait of Garen she's drawn. See Sarah's blog for details - and again, the deadline is Sunday evening (7 June).
• Matthew Badham has a brilliant interview with artist John Higgins on the Forbidden Planet International blog, talking about his new book, Razorjack, and how his comics career. "There was a certain element of lucky accident when it came to my art, particularly with colour," he reveals. "I was spending ages and ages on my painted art, probably a week on each page. But what I was doing in those days was learning on the job. You’re experimenting and you’re trying new things and if it goes wrong, then you have to start all over again. Or you discover something that’s completely and utterly wonderful by accident that you wouldn’t have been able to think through." Read the full interview
• Warren Ellis talks about "the dubious virtues of ebooks" in his latest column for wired.co.uk, which you can read online for free on the new magazine's web site. It's titled "The Kindle is a mewling, crippled, pining thing" so you can guess the gist. Warren argues that right now, British book publishers have less to fear from ebook publishing (the Kindle doesn't even work in the UK, apparently): their worry is that "the threat to reading comes only from our education system – and the fact that most children are born to 15-year-old foetal-alcohol-syndrome cases." (Episode 57 of Freak Angels is live now, by the way, just as an aside...)
• Lee Robson reports there's a great review of Accent UK's Robots over at Newsarama where it's compared very favourably to the Popgun anthologies from Image Comics. Read the full review here.
• And finally... Rob Jackson reports that with the arrival an awesome page for the Pasty Anthology from Jim Medway, his long-awaited collection is almost finished, and hopefully he'll be sending it off to the printers next week. It sounds like a fun assembly of creative talent!
Here's details of the full Festival Programme:
Friday 5th June @ Verbal Arts Centre 3pm - 4.45pm All-Star Comic Workshop (15yrs+)
Learn to draw comics with a host of top comic creators.
Friday 5th June @ Sandinos Bar
7pm Panel - The State of Comic Art
8pm Panel - Eclectic Micks present Homegrown Heroes
Saturday 6th June @ Verbal Arts Centre
Comics Open Day 11.30am - 5pm
• Get Sketches of your favourite comic characters from top comic artists (All Day)
• Get your Comics Signed by Comic creators (All Day)
• "Monster Me" Sketch Stall - get turned into a MONSTER by a top comic artist (All Day)
• Comic Stalls - Loads of comics for all ages to buy. (All Day)
• Monster Drawing Wall - in association with the Campaign for Drawing (All Day) Draw your own monster on our massive Monster Drawing Wall, spot prizes for the best efforts.
Talks and Other Events:
• 1.30pm: Like Sherlock Holmes Directed by Quentin Tarantino...With Animals!
Comic artist Bryan Talbot gives sneak preview of his forthcoming steampunk graphic novel Grandville
• 1.30 - 2.30pm: Star Wars Stormtroopers
Get your photo taken with the amazing Emerald Garrison of the Knights of the Empire (Irelands Premier Star Wars Costuming Group).
• 3.00pm: 2D Competition Prize-Giving
• 3.30pm: How I Got Into This Crazy Business And Ended Up Bringing V For Vendetta Into The World
Talk with Legendary artist David Lloyd
Saturday 6th June @ Sandinos Bar 7pm - late
• 7.00pm Panel - Q & A with artist David Lloyd
• 8.00pm Panel - Burn Hollywood Burn
• 9.30pm - Late Closing Party
All events are completely FREE of charge.
• For more details contact the Verbal Arts Centre on 02871266946 or check the website www.2dfestival.com or Facebook group
Included in the British section of the catalogue is an extremely rare first issue of DC Thomson's humour title, Dandy. Published in 1937, this first edition introduced Korky the Cat, Desperate Dan, Keyhole Kate and their chums and is described as "a well worn copy with 3 inch spine tear and multiple edge tears although only minor loss." Only 20 copies of this first issue are known to exist, so expect some high bids, well above the £500-£600 reserve.
Also included this time are some also rare wartime Beanos, all with bright fresh covers and white/off white pages. Since a lot of paper was recycled for the war effort, copies of these issues are probably even rarer than some of the pre-war titles such as Champion, Butterfly, Hotspur and Schoolgirls' Own, which are also being offered.
Original Desperate Dan art by Dudley Watkins - a staple of most these regular auctions - is also offered, including work published in a 1942 issue of the Dandy. (Artist Dan paints the town with bristles from his beard. The pictures are so realistic the mayor gets Dan to camouflage all the tanks and planes for battle!).
Of interest to many downthetubes readers though will be a page of Ron Embleton art featuring Wulf the Briton from Express Weekly 155 (published in 1957), in which Viking Wulf proves himself to the warrior tribesmen in his quest to solve the riddle of the Sphinx. Also beng offered is original Dan Dare art from the Eagle by Desmond Walduck (featuring both Dan and the Mekon), Supercar and Joe 90 art, a Dan Dare space gun, bound copies of Eagle and Lion, issues of TV Century 21 - including several rare and much sought after Specials - Valiant, Tiger and more.
For US comics fans, the chance to own the first appearance of Spider-Man in Amazing Fantasy #15 is sure to stir plenty of interest, even if the issue comes stickered with a British 9d tag. A first issue of Amazing Spider-Man is also in the auction, along with plenty of ther goodies including Fantastic Four #1, X-Men #1, Millie the Model, Batman #20 from 1944 - the first Batmobile cover - and lots of other goodies.
• Bids on items, which include comics and original art, will be accepted until Tuesday 9 June at 8 PM UK time (GMT).
• British comics, annuals and artwork
• US Golden Age comics
• US Silver Age Marvel comics
• US Silver Age DC comics
• US 1970's & 1980's comics
Thursday, 4 June 2009
As a teen of the 1970s, though, it is Kung Fu for which he will be best remembered by me. I recall being impressd to learn he took his role as Kwai Chang Caine, the half Asian hero on the run from both Chinese assasins and bounty hunters in the American West so seriously he as known to go barefoot for months to get into the role.
The BBC reported earlier today that the 72-year-old actor had been found dead in a Bangkok hotel room, discovered by a hotel maid sitting in a wardrobe with a rope around his neck and body.
His personal manager, Chuck Binder, described the news as"shocking", adding: "He was full of life, always wanting to work... a great person."
"David Carradine... was a sly, devilish, and at times downright freaky, movie presence who, when he appeared onscreen, automatically made matters twice as interesting," notes Clark Collis for Entertainment Weekly. "Personally, I grew up believing David Carradine to be pretty much the coolest guy in show business, thanks to his starring role in the mayhem-filled Kung Fu. Many years later, I actually had the chance to interview him and found Carradine to be every bit as entertainingly colorful as his reputation would suggest..."
An actor who had appeared in over 200 films, he was known the world over for his work, but less widely known as a musician, composer, author, martial arts expert and visual artist.
Among various causes, David was a supporter of Food 4 Africa, an organization committed to working with other organizations to supply children with at least one vitamin and mineral enriched meal for every day.
Many downthetubes readers will recall Kung Fu not just as a TV series which ran for three seasons between 1972 and 1975 but as a stunning comic strip in the weekly Junior TV Times, Look-In, drawn largely by Martin Asbury. The strip, like the show, was superb and reprinted in Europe. It became Asbury's regular work on the comic after he drew a Follyfoot strip, having previously drawn another TV series-inspired strip, Cannon, for TV Action.
Carradine will be much missed, his legacy as the quiet spoken action hero of Kung Fu never forgotten.
• David Carradine's biography, Endless Highway, offers a revealing insight into the actor's career.
• David Carradine's official web site
• Kung Fu: Comic Strip Wiki
• Kung Fu TV Series Memorabilia
• Fox News: David Carradine Biography
• Entertainment Weekly: David Carradine RIP
• The Guardian: David Carradine: A Life in Clips
The son of Hollywood royalty, David Carradine amassed more than 200 screen credits in a career that ran from the 1960s to his death at the age of 72. Looking back on his career, he said: "It always seemed to me like a mission. A holy one - like the Blues Brothers."
• David Carradine in Kill Bill, comparing Superman with Spider-Man...
Alex Fitch also interviews a couple of female indie manga creators – Sally Jane Thompson and Kate Holden – at the Docklands Manga Expo and discusses the brutality of nature with Melody Lee, whose comics depict woodland animals in the style of Beatrix Potter but who also shoot and swear like troopers and are, shall we say, not shy when it comes to under the sheets activity!
Sally Jane Thompson is a postgraduate student who grew up in South Africa and was one of the finalists in TokyoPop's 2007 Rising Stars of Manga Contest.
"Manga was essentially my first exposure to comics that covered a wider range of genres, and showed me how much scope comics have to communicate!" she said in in an interview back in 2008. "So it’s been a fantastic influence, and I’ve learned a lot through it. But I wouldn’t class my work as anything more than manga influenced. As manga has become a more prevalent influence over western comics, there is of course lots of debate over what counts as manga and so on, but I think the more varied influences people have, the better, and I’m glad to see the comics world opening up like this."
Kate Holden is just one of the team involved in IndieManga.com, a grup of people who crate comics with a manga influence. A "freelance sequential artist" and Designer and MA Video Game Design student, her credits include a webcomic called FanDanGo about magical knights in a retro-punk setting (retro-punk being my word for a 1960’s influenced Fantasy world).
• Strip!: Manhwa Galleries, Mixed media Graduates and Manga Girls… will be broadcast at 5.00pm today, 4th June, repeated 11.30pm 7th June on, Resonance 104.4 FM (London). The show will also bestreamed at www.resonancefm.com and extended podcast online at www.panelborders.wordpress.com after broadcast…
Top British comics artist Steve Parkhouse will again be drawing the strip, as he told downthetubes some time ago, but swore us to secrecy as it had yet to be "officially announced". Alan subsequently mentioned the new stories in Padraig Ó Méalóid's fab interview with Alan for Forbidden Planet International recently, but we didn't pick up on it. More fool us!
First published in 1980s title Warrior, additional installments of the Bojeffries Saga, described as a "soap opera of the paranormal" subsequently appeared in US ttile Flesh and Bones before all the Warrior installments were reprinted in colour in Dalgoda. Five new stories then appeared in Atomeka's A1 Anthology (and Swimsuit Special), before the entire series plus some new ones were reprinted in a single volume, Tundra's The Complete Bojeffries Saga in 1984.
Two new stories were due to be published in 2005 in A1's Bojeffries Terror Tome #1, but that was never released.
Moore mentioned the new episodes of his surreal title during his talk for the ComicICA Festival on Tuesday night, according to reports on Bleeding Cool and Joel Meadows' Walls and Bridges web sites.
• More about the Bojeffries Saga on The Magic Robot Digital Scrapbook
• Bojeffries Saga on International Hero
(This unpleasant incident, as you can imagine, caused much acrimony between all parties and led to Alan Moore refusing to ever countenance working for Marvel. For more information on the entire history of Marvelman, visit this page on the World's Greatest Critic site).
While the whole matter did nothing to improve US-Anglo comic relations but Eclipse still had to come up with a new name for the character if they wanted to publish the comics in the UK. As J.C. Maçek III notes on his Marvelman page, they decided on "Miracleman" to satisfy Marvel Comics (but still ensure that the "MM" logo didn't have to be changed).
Here at downthetubes though, we wonder whether if Eclipse or those advising them knew whether Mick Anglo also created a super-powered character called Miracleman?
In addition to his work on titles such as Marvelman in the 1950s for Len Miller and Sons, Mick was asked to create a superhero comic for the Spanish market. What he did was to use a similar method he had used when Miller lost the rights to publish DC Comics Captain Marvel in the UK, and adapted (and redrew) some of his Marvelman stories under the name Super Hombre. The character appeared in Editorial Ferma, which ran for 68 issues from 1958.
Mick then resold these strips back to the UK, using the name Miracleman. The character was sold through Top Sellers comics and ran for 13 issues beginning in 1965.
Top Sellers titles were black and white American comics, running for 60 odd pages and in addition to the Miracleman stories featured reprints of DC Comics Blackhawk.
Miracleman was also sold in Germany (see info here) and Holland (where he was known as "Mirakel Man").
Like Marvelman, Miracleman's alter ego, cub reporter John Chapman, became super powered by uttering a special phrase: "Sun Disc", rather than "Kimota". His powers seem more akin to DC Comics Superman than Marvelman however, and also dependent on him actually holding the ancient "sun disc". In one of the issues we've come across -- Miracleman #11 - it seems anyone can become a "Miracleman" by holding the artefact... including villains!
Miracleman was also aided in his battles against evil by Supercoat - yes, powers borne of putting on a special coat. Surely one of the oddest superhero names ever?
An entertaining gem of British comics history, nonetheless, and one we thought you'd enjoy.
• As we reported last month, TwoMorrows Publishing is to publish an issue of Alter Ego magazine dedicated to Marvelman soon. Wrapped in a cover by Rick Veitch, #87 of the magazine, edited by Roy Thomas, presents an overview of the original 1954-1963 saga of Marvelman, Marvelman Jr. and Kid Marvelman and will include an interview with writer/artist/co-creator Mick Anglo. The issue, due for publication in July, will also feature rare Marvelman/Miracleman work by Alan Davis, Alan Moore and others. More info here on the TwoMorrow web site
• Special thanks to Alan Wright for imagery used in this item. For more information about Marvelman, check out the International Hero web site, or track down a copy of Dennis Gifford's Complete Catalogue of British Comics.
Wednesday, 3 June 2009
After our recent news story about rumours that ComicCon was coming to London's 02 venue next year - a report flatly denied by the organisers of the US San Diego ComicCon who have since stated categorically they had not licensed the brand to anyone for UK use - ace cult site Geek Syndicate has set the story straight with the publication of a press release from 5 by 5 Media (PDF), which offers more information on the upcoming 5 by 5 Festival.
The Festival will take place in East London in June and July and is described by 5 by 5 Media's Chief Executive Liam Fisher as a celebration of films, music, art and fashion. The confirmed content will be announced to the public in due course. In an official press release published on the Geek Syndicate site in full, Mr Fisher does not mention any of the rumoured comics guests suggested in recent days, which included Alan Moore - known to avoid conventions these days like the plague - and Stan Lee.
As for the rumours of a comics event at the 02 next year which began with a now clearly erroneous story over on ComicRelated, Mr Fisher confirms he does have plans to use the venue "for several events" but makes no mention of any reported connection with the US ComicCon.
"I have plans to hold several major pop culture events across Europe and as soon as everything is finalised it will be announced," he states. "I have plans to use the 02 Arena for several events and when these are finalised they will be announced."
Commenting on the rumours, Mr Fisher says "I really appreciate the level of interest, excitement, panic and hype already built around an incorrect 'news' story." Resisting the urge to be drawn further on his plans he says anything comics fans may have heard about them "can be dismissed as hearsay and either laughed at and ridiculed, cursed or iglnored depending on what mood you're in.
"Keep your ears open and your eyes peeled as all will soon become clear. Trust me, when the time is right, my communication will be nothing less than 5 by 5."
We hope to keep you posted on developments as they happen. Our thanks to Barry Nugent at Geek Syndicate for drawing our attention to the release and we're more than happy to hopefully help set matters straight.
• Read the press release in full from 5 By 5 (PDF)
This is the second of a series of interviews with British comic convention organisers over the next few months, which will be cross-posted on downthetubes, the Forbidden Planet International blog, Bugpowder and Fictions. Our aim is to give the conventions themselves some well-deserved publicity and also to, hopefully, spark a wider debate about what’s good and bad about the convention circuit in the UK.
(NB: Answers have been edited only in terms of spelling, punctuation and grammar, and not for style or content.)
In addition to being co-organiser of BICS, Shane Chebsey has been a leading light in the promotion and distribution of indie comic press titles in the UK for a nuber of years via Smallzone. He hosts several web sites dedicated to the cause of promoting comics of all kinds and print runs, including the Incoming forum (incoming.ning.com), an open community for readers, creators and publishers of small press and independent comics.
downthetubes: Please tell us a little about the history of your con/event and how it’s evolved over the years.
Shane Chebsey: The first BICS occurred in 2006 at The Custard Factory. Our biggest named guest was Michael Lark of Daredevil fame, and right from the beginning we had wonderful support from the UK scene including publishers and creators. This is something we've always been very grateful for.
We just wanted to put on the type of comics show we'd want to attend ourselves, and figured there must be some folks out there who wanted what we did. Since then, BICS has become the largest UK event devoted to the medium of comics, so I guess we weren't alone. Guests have included Mike Mignola, Dave Gibbons, Kevin Nowlan, Michael Golden, John Cassaday, David Lloyd, Alan Davis, Mark Chiarello, Olivier Coipel, Esad Ribic, Adi Granov, Mark Buckingham, plus many, many more top names in the industry.
downthetubes: How is your con funded, by ticket sales, the exhibitors, a grant from the council, some other means or a combination of these?
Shane: A combination of table sales, entry fees and our own pockets. Last year we did receive some minor sponsorship and this year we are looking to build on that. We've be also applied for some government funding to help us develop and expand the show, enabling the event to reach out to a wider audience and benefit more people.
downthetubes: What are the overall aims of your con/event?
Shane: We have both short and long term aims and objectives for the show.
As well as producing an enjoyable event for existing comic fans, our initial aims with the first three shows was to establish a successful formula for running a comics event in Britain that would be recognised by the UK comics industry including publishers, distributors and retailers, as a major event. This was so that we could build a platform to achieve our main objectives.
We have achieved these aims with the first three shows: we attracted over 2500 fans, press, creators and retailers to our last show and most western comics publishers now recognise The British International Comics Show as the major UK comics convention. These include DC Comics, Dark Horse Comics, Rebellion Developments, Markosia Enterprises (who launched new titles at the 2007 show) and Manga Entertainment (who allowed us to show the first official UK screening of one of their new films at the 2007 show) and Random House, who have previously been sponsors of the show.
- To provide an enjoyable and informative family event to the general public, allowing them to discover new comics and graphic novels they may not have previously encountered.
- To give new writers and artists access to both publishers and professionals working within the industry both here in the UK and overseas, allowing them the opportunity to receive feedback and advice on their work and to learn more about the international and national industry and about the medium of comics in general.
- To promote comics to the general public as both an educational and entertainment medium.
- To provide a secure and fun environment for all comic fans, whatever their cultural, religious or ethnic background, to enjoy the medium, expand their reading and to meet comics creators from all over the world.
- To give independent and small press creators the chance to promote their publications to the general public and to the larger publishers.
- To create sufficient revenue to make the show financially self sustaining.
Long Term Aims:
- To promote literacy and the visual arts in general
- To expand the reading of comics in the UK
- To support our national comics industry
- To promote diversity and originality within the comics industry
- To expand the show, attracting even more visitors to the event and to the City of Birmingham.
downthetubes: Who is the con aimed at? What sort of punters do you hope to attract? Are you family-friendly?
Shane: BICS is very family-friendly and we always aim to attract the full spectrum of attendees, from the young to the old, men, women, everyone! That's the great thing about comics. They are so inclusive almost anyone can enjoy them and create them.
downthetubes: How effective have you been in getting those kind of people to attend?
Shane: So far we've been very pleased with the varied representation of all groups attending the show. However, we continue to increase our efforts to attract even more diversity amongst our visitors.
downthetubes: Can you give a projected (or actual) attendance figure for your event?
Shane: This year we are aiming for 3000 people to attend the show over the weekend.
downthetubes: What lessons have you learned during your time (co-)running a con, in terms of marketing and advertising your event?
Shane: Lots of lessons have been learned. The hardest lesson would be that any expensive advertising must be very targeted to be cost effective. We have also learned not to announce any guests until they are 100% confirmed. We learned this after our very first show.
downthetubes: Do you use emerging technologies to spread the word about your con? Do you have a website or blog, or use email mailing lists?
Shane: The web is our most effective method for attracting both visitors and exhibitors to the show. We have an active presence on many forums, a great website, and a very large mailing list that helps us to keep folks informed of developments.
We also have our own forum that enables visitors to ask us questions about the show and to share their show experiences with other visitors.
downthetubes: What about print? Do you use print advertising, have a newsletter, anything like that?
Shane: We advertise in many print publications including SFX magazine, 2000AD and TOXIC. We also print up flyers and posters for events etc.
downthetubes: What's the mix in terms of exhibitors at your con? Do you even have exhibitors?
Shane: We have great mixture of exhibitors at BICS. This year there will be 162 tables featuring retailers, publishers, art suppliers, creators and distributors. There really is something for everyone.
downthetubes: What are your thoughts on the small press comics scene in this country? How do you try and support it (do you try and support it)?
Shane: I have personally done my best to support the small press scene since 1999 when I founded Smallzone [which acts as a distribution service for small press comics]. When I became involved with BICS I was determined to give small press creators a level playing field along with all the big publishers at the show.
We offer small press creators a £40 discount from the normal table price to try and make it easier for them to afford being part of the event. We are very proud of the huge diversity of genres and styles on display at BICS, all thanks to the UK small press scene.
downthetubes: How much are the tickets for your event? How did you arrive at that price? Please tell us about any concessions.
Shane: Tickets are £12 per day or £20 for the weekend. Children go half price and under 5's go free. We also offer family passes, and free access for carers.
We've based these prices on our projected attendance against the cost of our venue and other costs involved in producing the show. When you bear in mind the full program of events happening at the show as well as the comics fair etc., the entry fee is extremely good value for money.
How much is a 90-minute football match for all the family these days, or a visit to the cinema for two hours? At those events you don't even get to meet the players or the film stars. At our show you get to meet the stars of comics in a friendly and informal atmosphere. It really is a special opportunity for many fans and we love seeing the faces of young fans when they get their first signed copy of Watchmen or Planetary.
downthetubes: How much are exhibitor tables for your event (if you have any)? Again, how did you arrive at that figure?
Shane: Tables are £160 each for the weekend. We give discounts to small press comic creators and those making multiple table bookings. Again we arrived at this figure based on our costs, and based on the projected takings for the average exhibitor. We have tried very hard to make tables good value for money and provide steady through traffic for all exhibitors at the show.
Obviously it's up to the exhibitors to sell or promote their work or products, we can't do that for them. What we do provide is a state of the art venue filled to the brim with comic fans and those who want to find out more about comics.
downthetubes: Do you run workshops/events/panels at your con? Please tell us about those and how they are organised.
Shane: We have a full program of killer events running all through the weekend of the show. These include exclusive creator interviews, fun quizzes, live art events and professional demos from some of the industry's top creators. We host panel discussions on topical subjects concerning the medium and the industry. We also conduct portfolio reviews for aspiring comics artists.
downthetubes: Are there any external events connected to BICS? Educational stuff, talks, workshops, comics promoting, that kind of thing?
Shane: We are running an outreach program this year, which involves talks, presentations and workshops in libraries, schools and colleges.
If anyone is interested in hosting a talk or workshop and would like to find out more, they can contact us at: firstname.lastname@example.org
We are also presenting an exclusive IMAX Birmingham screening of Watchmen in September hosted by Dave Gibbons, with a signing before the screening. Places will be limited to just 300. More news of this on our website soon.
downthetubes: As you've been kind enough to answer these questions, please fell free to big your con up a bit. Tell us what you do well, what your event's main attractions are and why our readers should attend the next one.
Shane: If you love comics you simply must attend BICS 2009 in October. It's an essential event for every type of fan, whether you love manga, superheroes, small press or even if you're just curious about what comics are. BICS celebrates every form of the medium and is the event to visit in 2009!
downthetubes: Thanks, Shane, for answering our questions.
• For more on BICS, please visit the convention’s website: www.thecomicsshow.co.uk
• Read our Matters of Convention interview with Oli Smith about the upcoming London 176 Event
• Read our report on the 2007 Birmingham International Comic Show • Read our report on the 2008 Birmingham International Comic Show
• Indie comics creator Sean Azzopardi has a new project - Thumbpaintings: life drawing using his Iphone and brushes app. Check them out at: phatcatz.org.uk/?p=1039
• Active Images and ComicCraft First Tiger Richard Starkings has also been answering questions, this time posed by the Den of Geek team. Richard talks about his Elephantmen title, his career at Marvel UK, Doctor Who and much more. A former editor of Doctor Who comics, he's just written a Doctor Who story, Cold Blooded War for IDW, from a plot by Gary Russell, revealing "It's not the kind of story I'd have come up with myself - this one features Ice Warriors, Draconians and even Alpha Centauri - but it was fun writing dialogue for Donna and working out how to pace Gary's outline into 22 pages. Fellow Brit and Whothusiast Adrian Salmon is the artist on this one, and he's done a great job."
• A quick reminder that Rich Johnston's new website, Bleeding Cool, is now live and it's already cranked up 400 forum members and material from the likes of Warren Ellis. Rich also picks up on rumours of a UK ComiCon we featured earlier this week, noting, as we have in updates to our story, that Comic Con International, behind the San Diego event, has denied being involved. Reed Publishing, behind the New York Comic Con has also denied involvement. The plot thickens...
• James Turner, one of many fine talents who worked on The DFC, has published an all-new Beaver and Steve strip featuring the characters that shot him to deserved national acclaim. "You may not like it," he says, modestly. Silly James - it's beaver and Steve: what's not to like?
• The Daily Mail has been having another punt at DJ and chat show host Jonathan Ross, this time ribbing him for his appearance, among other things. "His love of comic books and new-found friendship with Eminem imply that he is slightly immature," Jo Clements opined. Ross recentky revealed he'd given Eminem a copy of Avengers #3 when they'd met. "I knew he needed it. He’s a big Marvel fan," he explained.
• Delta and the Bannermen may have been one of the sillier Doctor Who stories of the 1980s (Ken Dodd has a cameo, for one thing), but fans of the sagas comic stories may want to pick up the new DVD release for the bonus features, which include interviews with Lee Sullivan, Simon Furman, Paul Cornell, Andrew Cartmel and John Freeman (who?), chatting about creating Who for Doctor Who Magazine. (If I look at all bedraggled in the interview it's because I got drenched finding the studio...). The DVD ships on 22nd June.
• Talking of Paul Cornell, he's been answering questions from fans of his Captain Britain and MI13 and Dark Reign: Young Avengers titles over on Comic Book Resources, which also has a couple of sneak peeks at the last issue of CB (#15). Talking about the book's cancellation, Paul says "Marvel put loads of effort behind it, and I got all the support I could wish for. I just think that, in the end, there are certain characters that won't sell well enough in the States. In the UK we were doing very well, but those numbers don't get added into the Diamond sales figures." Hmf!
• Talking of Transformers maestro Simon Furman, too: he'll be Derry in Northern Ireland this coming weekend, at the 2D Comics Festival. "This will be my third time at the Derry festival and I can’t recommend it enough," he enthuses. Declan Shalvey, David Lloyd, Liam Sharp, D'Israeli, Garry Leach and Rufus Dayglo will also be on hand, among others. Be sure to catch Paul J. Holden and ask him about the new Heroes Comic Reader, which we've been talking about over on the downthetubes mobile comics blog...
• And finally, since we seem to be on a 1980s reunion theme for this post, my old flat mate and 2000AD editor David Bishop's Doctor Who audio drama Enemy of the Daleks has been getting lots of praise on various fan forums. "I'd written a dozen different projects for Big Finish, so it was a joy to finally get the chance to script a four part story for the main Doctor Who range," he says. You can find out more about Enemy of the Daleks here, even download the first episode for the bargain basement price 99 pence - now that's value!
Tuesday, 2 June 2009
Campaigners against the new rules argue the proposed regulations will curb invitations to non-EU artists and academics to visit the UK for talks, artist residencies, conferences and temporary exhibitions.
This has already seen the cancellation of events and of course could affect any overseas comic creators attending events such as the MCM Expo, the British International Comic Show and other gatherings.
"As professionals committed to the principles of internationalism and cultural exchange, we are dismayed by these new regulations," say campaigners.
"The system is costly to both the host organisation and to the visitor, and has already meant a number of cancelled exhibitions and concerts."
The campaign is led by Manick Govinda, artists' adviser at Artsadmin, and has won support from artists, musicians, gallery directors, academics and students. Together they are calling for the "parochial and suspicious regulations to be reconsidered, and affirm the vital contribution made by global artists and scholars to UK cultural and intellectual life."
A petition was launched with a letter in the Observer, signed by high-profile arts figures including artist Antony Gormley, Sandy Nairne, director of the National Portrait Gallery, and Nicholas Hytner, director of the Royal National Theatre.Under the new regulations, all non-EU visitors now must apply for a visa in person, and supply biometric data, electronic fingerprint scans and a digital photograph. The Home Office’s 158-page guideline document also outlines new controls over visitors’ day-to-day activity: visitors must show that they have at least £800 pounds of personal savings, which have been held for at least three months prior to the date of their application; the host organisation must keep copies of the visitor’s passport and their UK Biometric Card, and a history of their contact details.
If the visitor does not turn up to their studio or place of work, or their whereabouts is unknown, the organisation is legally obliged to inform the UK Border Agency.
"These Home Office restrictions discriminate against our overseas colleagues on the grounds of their nationality and financial resources, and will be particularly detrimental to artists from developing countries, and those with low income," argue campaigners. "Such restrictions will damage the vital contribution made by global artists and scholars to cultural, intellectual and civic life in the UK."
The Manifesto Club, which hopes to achive over 10,000 signatures to its petition, is urging people to not only sign it but also write to their MP in protest.
"Tell them your concerns about the issue, and how it’s affecting artists, scholars and many other professions," they suggest. "If you have been personally/professionally affected give them a brief account of what happened and let them know that the points-based system could have a potentially detrimental effect on the UK’s arts and cultural sector, and it may affect local arts groups and festivals in their constituency."
• Sign the petition here: www.petitiononline.com/MCvisit/petition.html
• Help build support for the petition on Facebook
• Click here for more information about the campaignon the Manifesto Club site
• If you have been (or will be) affected by these regulations, please complete the Manifesto Club campaign’s online survey. This will provide a rich source of material for them to better argue the case and gain more publicity for their campaign.
• NCA's Fact-Sheet on the new regulations
Simply visit this dedicated page on the Egmont UK web site (www.egmont.co.uk/royoffer), pop in his name, pick a look, and your perfect gift should arrive in good time for Father's Day!
With 17 name checks and 12 illustrated features, your Dad should feel really special as he reads about himself as a super striker saving the day for Melchester Rovers, but as an added incentive, Egmont are currently offering everyone the opportunity to purchase a unique Roy of the Rovers personalised book with a discount of 20% using the code U09-FDP -- and extending the 20% discount to all products bought from the Egmont website at the same time.
That means you can continue shopping (using the 'continue shopping' button!) and buy more Egmont titles.
Of course, this offer might not appeal to the Father in your life, but you must know at least one football fan with a birthday -- or perhaps even Christmas if you're the kind of person who really plans ahead. The offer is valid until 30th June 2009: spread the word...
• Egmont website www.egmont.co.uk/royoffer Discount Code: U09-FDP
Monday, 1 June 2009
"The venues are all booked up, the Anthology is on its way and we are preparing for a wicked festival!" he tells us.
Part of the Festival includes Collaborama!, an event for artists, zinesters and self publishers to come and show and sell their work, as well as collaborate in making pages for a zine on the day. There will be table space given to both aspects of the event which will take place on Saturday 1st August 2009 at the The Miller, 96 Snowsfields Road, London Bridge (www.themiller.co.uk)
"Right now, we're starting to book tables out," says Jimi. If small press publishers would like a table space to exhibit and sell their work then various size tables are available.
"Regarding the zine making, the idea is to encourage visitors to take part and get involved, to help the process along we will have themes," Jimi continues. "These are just ideas so that people can get started more easily but so far one is "Strangers", where, maybe the idea that lots of people in the city don't know each other, the lack of communities or people who interest us that we don't know.
"The other is "You and Me", a lighthearted look at relationships, meeting someone for the first time, or maybe your relationship with not a person but something else, an idea maybe?
"These themes can be narrative or non narrative based."
In the evening of the event the Resonance FM radio orchestra will be performing a piece written by Ed Baxter, the Director of Resonance FM. "This will be really special and will be performed by the orchestra as well as actors, and two teams of artists will be illustrating the performance live on overhead projectors." Jimi enthuses. "If you're interested in being considered to be on one of these teams then also, get in touch."
• The Alternative Press Festival runs from Wednesday 29th July – Sunday 2nd August 2009, click here for the latest events listing
• For more info and table rates etc. contact Jimi via jimigherkin(at)yahoo.co.uk
Primarily, at the moment the page with edited info pulled from this discussion (view it here) is a list of links to sites and publications that run reviews but with hindsight it could also include ideas for promotion.
If anyone has any thoughts on this, please get in touch.
(If you’re not a member of the downthetubes Forum you need to sign up to contribute, or, if you’d rather not join yet another online community, just drop us a line directly or via the regular downthetubes email address)
The magazine has also attained an in-depth first look at Moon, the eagerly-awaited low budget British sci-fi movie starring Sam Rockwell and directed by Duncan Jones.
"The addition of these two top notch features compliments what already promises to be the best Annual we've released to date," said Tripwire's Editor-in-chief Joel Meadows. "We've got such a big issue already. With our cover feature looking in-depth at Marvel Comics and its 70th anniversary, or the Alien 30th birthday retrospective later on, the Bongo Comics interview with Bill Morrison who's always entertaining, or even the Stripwire section with over 20 pages of original comics --it's just a real pleasure to be publishing this quality material. Adding these two new features strengthens the magazine further."
On the topic of making a better magazine, Tripwire has performed a little reorganizing at the printer as well. Originally the magazine's 2009 publishing schedule included an Adventure Special for June, a Horror Special for Halloween and a Science Fiction Special for December. Instead the editors have taken some of the more timely content from the Adventure and Science Fiction Specials and folded it into the 2009 Tripwire Annual, making it bigger and better than they'd announced at solicitation.
"We're committed to releasing the best magazine we can," offered Meadows, "and sometimes this means making adjustments on the fly."
Features now included in the 2009 Annual are an exclusive Joe Kubert interview, a profile on publishers Flesk Publications with sidebars about artists Gary Gianni and Mark Schultz, a feature on 80 years of Tintin and a look at Dark Horse's Solomon Kane and other Robert E. Howard properties.
"Our first focus is on the Annual, and making it as exceptional as its two predecessors. When we saw several articles from the June Adventure Special and the 2009 Annual beginning to converge, we knew we had to sacrifice the one to make the other even better," Meadows revealed.
While the Annual has gotten larger than promised with the addition of the extra content, Tripwire still plans to do an Adventure Special later this year.
"We're looking at releasing an improved line up for the Special around Christmas with a big Conan cover and features inside that cover everything from Howard's characters to a resurgence in the popularity of the pulps and many of the upcoming adventure movies and television shows for the next year or two." And the Science Fiction Special? "First Quarter of 2010, maybe," said Meadows with a laugh.
"We're still planning Fantasy and Crime Specials for 2010 and now the schedule is tightened. There's so much we want to print, sometimes we have to make some painful choices."
• The Tripwire Annual 2009 is still available for preorder from Diamond Comic Distributors, 164 pages full colour, $15.95 US, item code MAY091149
• Tripwire on the web: www.tripwire-magazine.com
• Joel's walls and bridges
• Tripwire on Flickr: www.flickr.com/photos/31004024@N04
Guilermo del Toro (above) photo courtesy and © Joel Meadows, used with permission
Sunday, 31 May 2009
According to ComicRelated, the first event would take place next year in the 02 Centre in London and represent the first expansion of Comic-Con outside the US and a major growth in the convention scene for the UK. However, Shane Chebsey, co-organiser of the British International Comics Show, has now had two official denials of the report from the San Diego-based event.
"I just received a second official notification from Comic Con in San Diego that they have not sold any license for a UK show bearing their name in the UK," Shane told downthetubes on 1st June. "They are now looking into the matter urgently."
Mystery surrounds the origins of this report and, indeed, the distinct lack of PR - or even, it seems, a web site - for the upcoming 5 by 5 Festival being organised by Liam Fisher, especially given that the event "celebrates the ever changing world of pop culture and brings together the world of music, art, comics, films and fashion under one roof, regardless of genres or cliques."
In fact, a quick web search for the festival turned up little more than this Newsarama thread, which reveals the festival will apparently include exclusive advance screenings of some of the biggest summer blockbusters such as Transformers: Revenge Of The Fallen and G.I. Joe, a variety of themed art exhibitions, live music, fashion shows, and celebrity signings and Q&As from the likes of Stan Lee, Alan Moore, the cast of Transformers, Kevin Smith, Christopher Nolan and Jamie Hewlett.
Apparently the Festival is all free to the public. If anyone has more info or contact details for this event we're more than happy to give it more of a plug but given Alan Moore's avoidance of conventions for years and subsequent research with downthetubes contributors, we are beginning to wonder if the 5 x 5 Festival is a real event.
downthetubes is aware that several major commercial companies have looked at putting on a large-scale comics-oriented event in the UK - some have even approached us for advice and contacts. A French ComicCon will also take place this July in Paris, with a license bought from the US to use the name.
But, as yet, we'd argue only the MCM Expo seems to have begun to challenge the more popular, grassroots organised events such as the Comic Expo in Bristol and Birmingham's British International Comic Show.
• Since this news story was first posted it's become clear that ComicRelated's initial story, while perhaps correct in some respects, was not entirely accurate. Liam Fisher has since issued a press release about the upcoming 5 By 5 Festival and hinted at some of his plans for 2010: read our news story here